James Bond (Sean Connery) pits his wits against the power-crazed criminal mastermind Goldfinger (Gert Frobe) in the third of the long-running spy series. Mr Finger has secured most of the gold in the world and now plans to render the rest useless. Henchman Oddjob (Harold Sakata) helps him realise his plans, thanks to his unusually lethal bowler hat, whilst Pussy Galore (Honor Blackman) is the glamorous pilot who Goldfinger hopes will execute the raid on Fort Knox that will make him the richest man in the world. Can Bond save the day again or has he finally met his match in the man with the Midas touch? Includes the famous customized Aston Martin DB5, complete with machine guns, smoke screen and ejector seat.

Sean Connery returns as Secret Service agent James Bond in the second of the series, once again saving the world from the terrorist threats of the SPECTRE organisation. Bond is sent to Istanbul to steal a Russian coding machine, but comes up against two fearsome opponents also interested in the device: East German spy Rosa Klebb (Lotte Lenya), who hides a deadly switchblade in her shoe; and Red Grant (Robert Shaw), an assassin posing as a fellow British agent.

Secret Service agent James Bond (Sean Connery) is sent to Jamaica to investigate the murder of one of his colleagues. It transpires that the island is being used as a base for the terrorist organisation SPECTRE, who, under the guidance of the despotic Dr No (Joseph Wiseman), have developed technology to divert rockets launched from Cape Canaveral. The first big-screen outing for 007 features original Bond Girl Ursula Andress emerging from the ocean in memorably revealing swimwear.

Secret Service agent James Bond (Sean Connery) is sent to Jamaica to investigate the murder of one of his colleagues. It transpires that the island is being used as a base for the terrorist organisation SPECTRE, who, under the guidance of the despotic Dr No (Joseph Wiseman), have developed technology to divert rockets launched from Cape Canaveral. The first big-screen outing for 007 features original Bond Girl Ursula Andress emerging from the ocean in memorably revealing swimwear.

James Bond (this time played by George Lazenby) hands in his licence to kill after being banned from hunting down his arch-nemesis Blofeld (Telly Savalas). Continuing his investigations alone, he follows a lead to Portugal, meets and falls in love with Tracey Draco (Diana Rigg), and is told by her crimelord father that Blofeld is now in Switzerland. Pretty soon its snow, kilts, girls, secret bases and ski chases, as Bond chases down his enemy and attempts to foil a plan to unleash a deadly chemical weapon.

The fourth in the James Bond series, with Sean Connery once again in the title role. Global criminal organisation SPECTRE has stolen two nuclear bombs and is threatening to blow up the world. Bond infiltrates the terrorists' underwater base off the Bahamas in order to foil their plan. 'Thunderball' was remade in 1983 when Sean Connery returned to the role of 007 in 'Never Say Never Again'.

When the activating button for a nuclear launch is lost at sea, it is up to James Bond to retrieve it before it falls into the wrong hands. Roger Moore once again plays 007 in this, the 12th Bond outing, director John Glen's first Bond film and the first without an Ian Fleming credit. Highlights include a climb up a sheer rock-face; a car chase down a steep, winding mountain road; an underwater battle; and what might be the greatest of all Bond's celebrated ski chase sequences.

James Bond (Roger Moore), in his tenth screen outing, joins forces with a glamorous Russian spy (Barbara Bach) to outwit a megalomaniac shipping magnate (Curt Jurgens) who intends to achieve world domination by causing nuclear war between the superpowers. The film features the submersible Lotus Esprit, underwater battles, and 'Jaws', a seven-foot villain with steel teeth.

Drama

Characters: 11 male, 4 female

Interior Set

Two of Hollywood's top-drawer writers have here written a play that begins with an American family on any normal morning, and culminates in one of the most chilling dilemmas in the literature of the theatre. Davie's father is a rich manufacturer who promises to help him build a tree-house when he comes home from school. But Davie does not come home today. From their worried calls, his mother and father learn that he has been kidnapped from school by a woman impersonating his pediatrician's nurse. Then comes the demand for ranson: half a million dollars. His father is to give the kidnappers a signal on the TV program which his firm sponsors. Meantime, they sweat out the waiting period and wonder if Davie will ever be seen alive again. At the very last moment, Davie's father makes the ultimate moral decision in the life of himself and his family. He preempts the MC's spot to make one of the most startling extemporaneous speeches ever heard. He shows the money and then says that he will not pay it. He demands the return of the boy unharmed, and promises not to prosecute. But failing this, he promises to offer the half million as a reward for the apprehension of the kidnappers, and he asks if they think their associates would prefer them to half a million dollars. For this speech, Davie's father is universally condemned, and the mother collapses in hysterics. In the calm eye of this storm comes the shattering denouement. "Appeals to the noblest, most decent, most universal emotions in all humanity." Hollywood Reporter. "Tense, harrowing, and well worthwhile." London Daily Herald.